Located in Happy Valley, F11 Photographic Museum occupies a three-storey Art Deco building on Yuk Sau Street lovingly restored to reveal its original grandeur. While retaining many of the building’s 80-year-old architectural features, the restoration artfully blends in elements of contemporary design. Equally passionate about photography and heritage conservation, Douglas So, a former corporate lawyer and executive director of one of the largest charities in Hong Kong, has transformed what was once a residential block into a state-of-the-art private museum dedicated to photography.

Clark Gallery exhibits contemporary art in all media by emerging, mid-career and established artists from the Northeast and nationally. The gallery's exhibition program reflects a broad range of twentieth century ideas appealing to collectors and institutions with diverse interests.

Source: http://www.clarkgallery.com/about

Brief History of the CHIM Archive

The Image Center opened in July 1999 with a very clear objective: to train professionals that challenge established ways of seeing and doing photography. Bringing the experience of seven years of a pioneer in teaching photography in Peru, as was the Instituto Antonio Gaudí school, we decided to generate different spaces for the dissemination and discussion of the image.

Collection Jose F. Gomez Manuel Alvarez Bravo Photographic Center

Named after a juchiteco lawyer who participated in the Mexican revolution, José F. Gómez collection, Manuel Alvarez Bravo Photographic Center, home to more than ninety thousand photographic documents, which can be consulted by researchers and institutions that wish to integrate the works its temporary exhibitions.

The Borges Cultural Center maintains an extended network of local and foreign artists, both well-known and novice.

The Musée national d'art moderne collection can be accessed online: http://collection.centrepompidou.fr/Navigart/

The Center for Creative Photography, University of Arizona, is recognized as one of the world's finest academic art museums and study centers for the history of photography. The Center opened in 1975, following a meeting between the University President John Schaefer and Ansel Adams. Beginning with the archives of five living master photographers—Ansel Adams, Wynn Bullock, Harry Callahan, Aaron Siskind, and Frederick Sommer—the collection has grown to include 239 archival collections. Among these are some of the most recognizable names in 20th center North American photography: W.

The Brooklyn Museum exhibits collections that seek to embody the rich artistic heritage of world cultures. The museum is well known for its expansive collections of Egyptian and African art, in addition to 17th-, 18th-, 19th-, and 20th-century paintings, sculpture, and decorative arts throughout a wide range of schools. 

The Biblioteca Nacional de España comprises hundreds of thousands of different photographs, books with photographs, albums, collections, business records of photographers and subject-based archives. Most belong to the period between 1850 and 1990. Although gaps exist, it can be said that practically all the avenues of evolution and development of photography since it became available to the public in 1839 are represented here.